"If we are to affirm that Jesus is truly Emmanuel (the presence of the
unconditionally loving God with us), then we will need some sign of His
Divine authority and power, so that we can know through both our hearts
and minds whether he is more than an unconditionally loving man - and is
really the unconditionally loving God with us. For many scholars the
resurrection is the central proof that Jesus is God."
In an article recently re-published,
Father Robert Spitzer, S.J., Ph.D., president of the Magis Center and the Spitzer Center probed the "historicity of Jesus' resurrection by looking
at several key areas through the lens of historical criteria."
To access Fr. Spitzer's complete article, please visit:
Magis Center: Historical Evidence of Jesus' Resurrection (May 2013)
"The
aging musical score wasn't easy to read. It was a copy of a copy of a
Latin Mass by the 18th-century composer Domenico Zipoli that had crossed
the Atlantic and most of South America, only to be stuffed into a box
for three centuries in a derelict jungle church where humidity had taken
its toll.
"And then there were the termites.
"The insects had eaten large tracts of the Mass, including the 22nd and 23rd measures.
"But
while much of the work of Zipoli has vanished in his native Europe, it
has managed to survive in eastern Bolivia - along with his vast Baroque
musical tradition, which hums through the tropical lowlands."
A recent article in the New York Times reported on the Baroque musical legacy left by Jesuit missionaries in Bolivia.
To access the complete New York Times report, please visit:
The New York Times: Jesuit Legacy in the Bolivian Jungle: A Love of Baroque Music (8 MAY 18)