The New York Post recently
ran an article about young adults in the city who prefer owning pets to
having children. One 29-year-old man quoted in the piece went so far as
to say, “Dogs never learn to talk so that makes them more enjoyable
company. Overall it’s a more mutually beneficial relationship.”
As loving as dogs can be, I think the young man might be missing some
perspective that’s evident even to single people without kids, like
myself. It’s a perspective that the Christopher Award-winning film “The
Hollars” presents in a funny, dramatic, often tear-filled way.
The story revolves around John Hollar (played by “The Office” star John
Krasinski) returning to his small hometown when his mother Sally (Margo
Martindale) is hospitalized with what turns out to be a brain tumor.
John’s brother Ron (Sharlto Copley) is having trouble dealing with the
fact that his ex-wife has a new boyfriend, while dad Don (Richard
Jenkins) is stressed both about the possibility of losing his wife and
losing his business.
John himself is suffering an early mid-life crisis in that his career as
an artist in New York City hasn’t achieved the success he’d hoped for.
He’s also got a girlfriend, Rebecca (Anna Kendrick), who is pregnant and
has him fearful of fatherhood and the responsibility of raising a
child.
Children and family are at the core of Ron’s stress as well. We discover
that he is the one who instigated the divorce from his wife several
years ago, and he has become a lonely man who misses being around his
children and simply experiencing the comfort and security of family. Ron
likely saw marriage and kids as a burden instead of a blessing at the
time, but his perspective has profoundly changed at the start of this
story.
While the Hollars are definitely dysfunctional and get on each other’s
nerves, we eventually come to see that there is a vast reservoir of love
underneath the arguments. There’s nothing like the specter of death to
make you realize how much your family means to you and how you’ve been
taking each other for granted. Little moments of grace are sprinkled
throughout the film to subtly make that point.
For instance, there’s a scene late in the movie in which Don is playing
with his kids, and it beautifully conveys the joy that this ordinary
event brings to his life. And walking through suffering with his mom
makes John more aware of the deep bond between parents and children.
There is a particularly moving scene when a nurse comes into Sally’s
room to shave her head before brain surgery. The look of fear and
humiliation on her face is heartbreaking. That’s when John offers to cut
her hair off himself, bringing a measure of comfort that this
sad-but-necessary act will at least be performed by someone she loves.
Spoiler alert: in the end, John and Rebecca get married because he
realizes he’s ready to embark on the adventure of fatherhood with the
woman he loves. And all the Hollars come to see that life would be much
emptier without the deep and loving bonds they all share. The nurturing
of those bonds requires sacrifice, responsibility, and tolerance of our
family members’ quirks, but they are at the heart of the most mutually
beneficial relationships any of us can experience.
While “The Hollars” includes some occasional foul language, its pro-family message should be welcomed in our world.
This essay is a recent "Light One Candle"
column, written by Tony Rossi, of The Christophers; it is one of a series of
weekly columns that deal with a variety of topics and current
events.)
Background information:
The Christophers
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